free
A minor affair - Harmonica chromatique
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Le play-back employé :
Blues riffs - Harmonica A
-4'-4 ( x x -5 ) → +5 -4 -4 +5 -2-2''
-4'-4 ( x x -5 ) → +5 -4 -4 +5 -2-2''
-2'' -2 -3' -3' → +4 -3' -2
-2'' -2 -3' -3' → +4 -3' -2
-4'-4 -5 -4' +4 -3' +4 -3' -2
-4'-4 -5 -4' +4 -3' +4 -3' -2
-4'-4 -5 -4' +4 -3' +4 -3' -2
-4'-4 -5 -4' +4 -3' +4 -3' -2
-4'-4 -5 -4' +4 -3' +4 -3' -2
-1 +2 -1 -2 -3'' -3' +4 -3'
-2 -3'' -3' +4 -3'
-1 +2 -1 -2 -3'' -3' +4 -3'
-1 +2 -1 -2 -3'' -3' +4 -3' +4
-4' -4 -5 -4' -4 -5
-4' -4 -5 -4' -4 -5
-4' -4 -5 -4-4'
-4' -4 -5 -4' -4 -5
-4' -4 -5 -4' -4 -5
-4' -4 -5 -4-4'
-2 -3' +4 -4' -3' +4 -3 -3'
-2 -3' +4 -4' -3' +4 -4' -3' +4
-4' -4 -5
-4' -4 -5
-4' -4 -5
-4' -4 -5
-4' -4 -5 -4' -2 +3 +2 -2 -3' +4
-4' +4 -3' -2
-4 -5 -3' -2 +3 -2 -2 -3' +4 -4' +4 -3' -2
-2-3-4 +5 +6 +6 -6-7 +6 +6
-2-3-4 +5 +6 +6 -6-7 +6 +6
-2-3-4 +5 +6 +6 -6-7 +6 +6
-6-7 +6 +6 -6 -7 → -8 +8 +9
+9'9 +9'9 +9'9 -9 -8 +7 -8
+9'9 +9'9 +9'9 -9 -8 +7 -8
+9'9 +9'9 +9'9 -9 -8 +7 -8
+9'9 +9'9 +9'9 -9 -8 +7 -8
-9 -8-9 +8 -8 -8 +8
-9 -9 +8 -8 -8
+6 +6 -6-7-8 +8 +9 +8 -8 +8
+6 +6 -6-7-8 +8 +9'+9+9'
+9 +8 -8 +8 -7-6 +6
+9 +8 -8 +8 -7-6 +6
+9 +8 -8 +8 -7-6 +6
+9 +8 -8 +8 -7-6 +6 +6
+6 -6-7-8 +8 +9 +9 +8 -8 +8 +6
+6 -6-7-8 +8 +9 +9 +8 -8 +8
-9 +8 -8 -7 -6 +6 -5 +5 -4 +4 -3' -2
-4' +4 -3' +4 -3' -2 +3
-4' +4 -3' +4 -3' -2 +3
-4' +4 -3' +4 -3' -2 +3
-4' +4 -3' -2 -2''
(-2 x x -5) wouawouawoua....
→ +5 -4 -3 -4
-2 -3'' -3'
(-2 x x -5) wouawouawoua....
→ +5 -4 -3 -4
-2 -3'' -3'' -3' -3'' -2
-2 -3'' -3'' -3' -3'' -2
-2 -3'' -2 -3'' -3' -4 -2
-2 -3'' -2 -3'' -3' -4 -2
-2 -3'' -2 -2'' -3'' -1
-1 +2 -2'' -2 -3' -2
-2 -3'' -3' -3 -4 -2
-2 -3'' -3' -2.... -2''
-4' (-4 ↔ -5) (+2+3)
-4' (-4 ↔ -5) (+2+3)
-4' (-4 ↔ -5) (+2+3)
-4' (-4 ↔ -5) -4' +4 -3'
-2 -2'' -1 -2 -3' -2 -3'
-2 -2'' -1 -2 -3' -2 -3'
-2 -2'' -1 -2 -3' -2 -3'
-2 -2'' -1 -2 -3' -2 -3'
-2 -2'' -1 -2 -1 -2'' -2
-2 -2'' -1 -2 -2
-2 -2'' -1 -2'' -2 -3'-2-3'
→ +4 -4' -4 -3 +4 +3 -3' -2 -2'' -1 -2 -3'' -3'
→ +4 -4' -4 -3 +4 +3 -3' -2 -2'' -1 -2 -2' -2''
-4 -3 +4 +3 -3' -2 -2'' -1 -2 -3'' -4'
-4 -3 +4 +3 -3' -2 -2'' -1 -2 -3' -2
-4 -3 +4 +3 -3' -2 -2'' -1 -2 -3'' -3'
-4 -3 +4 +3 -3' -2 -2'' -1 -2 -3' -2
-4 -3 +4 -3' -2 -2'' -1 -2 -2'' -2
-4 -3 +4 +3 -3' -2 -2'' -1 -2 -3' -2
-2'' -2 -3' -2'' -2 -3' -2'' -2 -3' -2'' -2 -3'
-2'' -2 -3' -2'' -2 -3' -2'' -2 -3' -2'' -2 -3'
-4 +5 +6 +6 -5 +5 -4 +5 -3' +4 -3' -2 +3
-4' (-4 ↔ -5) (-4' ↔ -5) (+3+4)
-4' (-4 ↔ -5) (-4' ↔ -5) (+3+4)
-4' (-4 ↔ -5) (-4' ↔ -5) (+3+4)
-4' (-4 ↔ -5) (-4' ↔ -5) (+3+4)
-3' -2 -2'' -2
-3' -2 -3' -2 -3' -2 -3' -2 -3' -2 -3' -2 -3'
-2 -2'' -1 -2 -2'' -1 -2 -2'' -1 -2 -2'' -1 -2
-3' +4 -3' +4 -4' -4 +5 +6 -6 -7 +6 -8
-7 +6 +5 -4 +5 -6 -7 +6 -8
-7 +6 +5 -4 -2
-3' +4 -4' +4 -3' -2 -3'
-2 -2'' -1 -2 -2' -2'' -2
The backing track is ''Monkey Pow'' :
This is a Muddy Waters-inspired shuffle with a backbeat. It's a more modern approach to a late '70s Chicago Blues style. Try using major country licks mixed with a few "blues" notes.
Guitar Center - Guitar Center's Battle of the Blues 2012
Grammy Award-winning producer and blues aficionado, Pete Anderson, has crafted 35 original instrumental backing tracks in various styles for you to play along with at the Battle of the Blues ...
http://gc.guitarcenter.com/battleoftheblues/tracks/index.cfm
This backing track and more....